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Cranston Fine Arts  Landscape Art and Artists Countries USA States  California |
[UP] - Alaska - Arizona - California - Colorado - Hawaii - Illinois - Maine - Massachussetts - Michigan - New York - South Dakota |
| California Landscape Art Prints, Paintings and Drawings |
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| Text for the above items : |
Sentimental Journey by Stan Stokes. The distinctive tri-tailed Lockheed Constellation, viewed by many as the epitome of piston-engine airliners, was the brain child of Howard Hughes who controlled Transcontinental & Western Airlines. Hughes drew up the initial specifications for this aircraft which was designed under the guidance of C.L. Kelly Johnson. As one of the largest airplanes designed up to that point, the Connie had a number of firsts including hydraulically boosted controls, high lift wing flaps, and a fully pressurized cabin. The prototype was completed in 1942, but all production was shifted to military applications. Designated the C-69 by the USAAF, the Connie carried Orville Wright on his final flight during its service trials. The aircraft was well received and immediately set a number of performance records. With the end of the War, and the onset of the post war recession, the Connie was almost canceled. FAA certification was granted on October 14, 1945. For safety purposes, due to past fire problems with the R-3350 engines, fire detection and extinguishing systems were added. The Model 49 had a maximum takeoff weight of 86,250 lbs. Eighty-eight Model 49s were sold, with TWA and Pan Am accounting for more than half the sales. The Constellation did not have a good safety record in its first few years of operation. One unusual accident occurred when the Plexiglas astrodome broke while the navigator was taking a fix. The navigator was, unfortunately, blown out of the aircraft. With the Model 649 Lockheed utilized more powerful engines, and for the first time utilized a rubber barrier between the inner and outer skins to reduce vibration. The 649 was faster, more economical, and had a much more comfortable cabin than the first Connie. Eighteen of these aircraft were delivered to Eastern. An improved version of the 649 was introduced in response to the DC-6, and was designated as the Model 749. This model had much greater fuel capacity and range. More than one hundred of these airliners were delivered. The Model 1049, or Super Constellation, was first delivered in 1952. It was basically a Model 749 which had been stretched some eighteen feet. Increased fuel capacity and more powerful engines were utilized. Unfortunately, the initial 1049s, with a gross maximum takeoff weight of 120,000 lbs, were slower than the DC-6. Only twenty-four Model 1049s were built. In 1953 Lockheed incorporated turbo-compound engines on the Model 1049C. This upped cruising speed to nearly 300 MPH, and takeoff weight by an additional 10%. Forty-eight of these aircraft were built, but the engines suffered from reliability problems. The major production model of the Super Connie was the 1049G. The G had 609 gallon wing tip tanks which added an additional 700 miles to the Connies range. The G Model also utilized square windows. The first 1049G flew in 1954. TWA purchased 28 of the 102 Super-Gs which were built. A total of 856 Connies, including military versions, were produced. The aircraft was phased out by major airlines prior to its useful life being reached because of the introduction of passenger jets. TWA phased out all its Constellations by 1963. In Stan Stokes magnificent painting, a TWA Super Connie departs San Francisco in 1957 for points unknown. |
1934 American Classics by Stan Stokes. Stan Stokes, in his painting, 1934 American Classics, beautifully portrays a Hollywood movie star and her pet dog embarking on a chartered Ford Trimotor from the Grand Central Air Terminal (owned and operated by Curtis-Wright) in California. Probably bound for a weekend visit to San Simeon, the palatial retreat of the publishing magnate, William Randolph Hearst, the trip to San Luis Obispo will take only ninety minutes. The early afternoon rains have left puddles on the tarmac, but fair skies have returned to the San Gabriel mountains, and the trip should be a smooth one. During the Great Depression the Packard Company introduced some of its most stunning and high performance automobiles. The 1934 Packard LeBaron Speedster, pictured in the painting, was one such machine. Costing nearly $8,000 the Packard LeBaron Speedster was about two to three times the price of a nice three bedroom house. Only the very wealthy could afford such luxuries during the Depression. Note that the Speedsters fenders are reminiscent of the wheel covers on racing planes during the era of the Thompson Trophy Air Races. The Speedster was powered by a 160 HP V-12 engine which displaced 445 cubic inches. Around this time it is believed that among the Hollywood notables that owned Packard Speedsters were both Clark Gable and Douglas Fairbanks. The Ford Trimotor was introduced in 1926 and between 1926 and 1933 Ford produced approximately 200 of these capable aircraft. Ford Trimotors remained in service long after they were made technically obsolete by more modern aircraft, and it is reputed that one aircraft built in 1928 was still in regular service as late as 1970. Admiral Byrd utilized a 4-AT version of the Trimotor for his 1929 Antarctic expedition. The Ford Trimotor played an important role in introducing commercial aviation to the general public during the years of the Great Depression. The basic model carried eleven passengers and a crew of two, had a cruising speed of 107 MPH, an operational ceiling of 16,500 feet, and a range of 570 miles. Due to its corrugated metal exterior skin the Trimotor was affectionately known as the Tin Goose. The Tin Goose had a wingspan of nearly 78 feet, and was fifty feet in length. In 1930 Transcontinental and Western Air (TWA) began the first coast-to-coast commercial service utilizing Ford Trimotors. The trip took only thirty-six hours, if the weather was cooperative. |
The Eagle in San Francisco by Stan Stokes. The USCG tall ship Eagle is shown under full sail in San Francisco Bay. Alcatraz Island, site of the infamous federal prison, is in view and in the distance is the waterfront of downtown San Francisco. The Eagle, originally named the Horst Vessel and built in Germany in 1936, was received as a war reparation payment. The Eagle represents America in many tall ship events, and serves as a primary USCG training vessel. |
Staggerwing and Gooney Bird by Stan Stokes. Although it has been more than sixty years since they first flew, the DC-3 and C-47 Gooney Birds are legendary, with more than 1,000 still utilized throughout the world. In the early 1930s Boeing was working on its all metal Model 247, and the first 60 aircraft were promised to United Air Lines. Douglas Aircraft made a bold proposal to TWA, and in combination they attempted to develop an all metal passenger airliner which would out perform Boeings 247. This new prototype airliner was the DC-1, and the first aircraft was delivered in less than nine months. TWA liked what it saw and ordered twenty DC-2s, the first production variant, and the first production model flew in May 1934. The DC-2 was a money maker for the airlines and nearly two hundred were produced. In 1934 American Airlines approached Douglas Aircraft about developing an aircraft with the performance and reliability of the DC-2, but with the passenger comforts of the Curtis Condor bi-plane. Douglas Aircraft moved slowly and reluctantly, fearing that American Airlines might fail during the depression. However, finally an agreement was reached for Douglas to produce ten new DC-3s for American at a price of $79,500 each. The DC-3, although similar in general appearance to the DC-2, was in fact largely an entirely new aircraft. Utilizing new 1,000 HP Wright radial engines, the DC-3 had a cabin more similar to Pullman railway cars. Passenger lavatories were installed and increased insulation was utilized to reduce cabin noise. American Airlines formally accepted delivery of its first DC-3 in April 1936, and by 1937 production of the DC-2 had ceased. Seating was 28 on the DC-3, twice that of the DC-2. Despite a recession induced reduction in the number of passenger aircraft in service in the United States during the second half of the decade, by 1940 more than half of the passenger aircraft in service in America were Douglas DC-3s. With the outbreak of WW II Douglas was flooded with orders for a military transport version of the DC-3, the C-47. Initially called the Skytrain, the C-47 was capable of carrying 28 troops or 6,000 pounds of cargo. With more than 10,000 aircraft produced between 1935 and 1947, the DC-3 and C-47 greatly exceeded any expectations Douglas ever had for the aircraft. With the end of the war many C-47s were converted back to DC-3s, and this aircraft became the backbone of the civilian airliner fleet in almost every nation in the world. During the 1950s the Gooney Birds were slowly shifted to secondary routes as newer high performance aircraft were introduced. In Stan Stokes marvelous painting entitled Staggerwing and Gooney Bird, a United Airlines DC-3 is depicted at Santa Barbara Airport in the early 1950s. Another classic aircraft, the Beech Staggerwing is parked near the Gooney Bird. |
Golden Gate Corsair by Stan Stokes. The Chance-Vought F4U Corsair was arguably the finest naval aviation fighter of its era. Work on this design dates to 1938 and was headed-up by Voughts Chief Engineer, Rex Biesel. The initial prototype was powered by an 1800-HP Pratt & Whitney double Wasp radial engine. This was the third Vought aircraft to carry the Corsair name. The graceful and highly recognizable gull-wing design of the F4U permitted the aircraft to utilize a 13-foot, three-blade, Hamilton Standard propeller, while not having to lengthen the landing gear. Because of the rigors of carrier landings, this was a very important design consideration. Folding wings were also required for carrier operations. The F4U was thirty feet long, had a wingspan of 41 feet and an empty weight of approximately 7,500 pounds. Another interesting feature was the way the F4Us gear rotated 90 degrees, so it would lay flush within the wing when in the up position. In 1939 the Navy approved the design, and production commenced. The Corsair utilized a new spot welding process on its all aluminum fuselage, giving the aircraft very low drag. To reduce weight, fabric-covered outer wing sections and control surfaces were fitted. In May of 1940 the F4U made its maiden flight. Although a number of small bugs were discovered during early flight tests, the Corsair had exceptional performance characteristics. In October of 1940 the prototype F4U was clocked at 405-MPH in a speed test. The initial production Corsairs received an upgraded 2,000-HP radial giving the bird a top speed of about 425-MPH. The production models also differed from the prototype in having six, wing-mounted, 0.5 caliber machine guns. Another change was a shift of the cockpit about three feet further back in the fuselage. This latter change unfortunately made naval aviators wary of carrier landings with the F4U, due to its limited forward visibility during landings. Other concerns were expressed regarding a severe port wing drop at landing speeds and a tendency of the aircraft to bounce off a carrier deck. As a result, the F4U was initially limited to land-based USMC squadrons. Vought addressed several of these problems, and the Royal Navy deserves credit for perfecting an appropriate landing strategy for the F4U. They found that if the carrier pilot landed the F4U while making a sweeping left turn with the port wing down, that sufficient visibility was available to make a safe landing. With a kill ratio of 11 -to- 1 in WW 11 combat, the F4U proved superior in the air to almost every opposing aircraft it encountered. More than 12,000 F4Us were built and fortunately a few dozen remain in flyable condition to this date. |
Stearman Over Cypress Point by Stan Stokes. Stan depicts a Stearman flying over the famous Cypress Point Golf Course in Pebble Beach, California. This selection is a real pleaser, and appeals to individuals who like both golf and vintage aircraft. The colors in this piece are striking, with the contrast between the colorful Stearman, the cobalt blue Pacific Ocean, and the greens of the golf course and forest are dramatic. |
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